Mexican Traditional EX VOTO

Mexican Traditional EX VOTO - Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lamina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively. The painting of religious images to give thanks for a miracle or favored received in this country is part of a long tradition of such in the world. The offering of such items has more immediate precedence in both the Mesoamerican and European lines of Mexican culture, but the form that most votive paintings take from the colonial period to the present was brought to Mexico by the Spanish. As in Europe, votive paintings began as static images of saints or other religious figures which were then donated to a church. Later, narrative images, telling the personal story of a miracle or favor received appeared. These paintings were first produced by the wealthy and often on canvas; however, as sheets of tin became affordable, lower classes began to have these painted on this medium. The narrative version on metal sheets is now the traditional and representative form of votive paintings, although modern works can be done on paper or any other medium. Narrative votive paintings can be found by the thousands in many locations in Mexico although certain shrines and sanctuaries such as that of the Virgin of Guadalupe and in Chalma attract a very large number of these. Due their proliferation, especially in the 18th and 19th century, many older votive paintings have left the places they were deposited and found their way into public and private collections. The collecting of these was begun by Diego Rivera, whose work, along with those of a number of other painters past and present, has been influenced by them.

Relics and Reliquaries
In medieval Catholicism, relics were usually the physical remains of a saint, the founder of a religion, or some other highly venerated person of religious importance. These remains could be all or part of the person's skeleton (most commonly a finger, but often a hand, foot, tooth, or even skull); they might also be fingernails or locks of hair. A relic might also be something the saint had used or touched; usually, scraps of garments the venerated person was believed to have worn, but sometimes a tool (or, more often, a portion of a tool) the saint had used in his work.
Altars and Shrines
MoreEx Voto from Mexico